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- Weiner, B., Perry, R. P., & Magnusson, J. (1988). An attributional analysis of reactions to stigmas. Journal of personality and social psychology, 55(5), 738.
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- Westlake, E. J. (2017). World Theatre: The Basics. Taylor & Francis. https://doi.org/10.4324/9781315734729
- Adler, J. (2011). The growing menace from superweeds. Scientific American, 304(5), 74-79.
- Athey, S., Calvano, E., & Jha, S. (2016). A theory of community formation and social hierarchy.
- Aziz, A., Rashid, A., & Yasmin, T. (2020). Analyzing Feminine Subjectivity in Male Jingoistic Society: A.
- Freud, S., & Bonaparte, P. M. (1954). The origins of psychoanalysis 216. London: Imago.
- Habib, M. A. R. (2008). A History of Literary Criticism and Theory. A: From Plato to the Present. 25cm. 848p. pbk, 24.
- Jung, C. (2016). Psychological types. Routledge. https://doi.org/10.4324/9781315512334
- Kahneman, D., & Klein, G. (2009). Conditions for intuitive expertise: a failure to disagree. American psychologist, 64(6), 515.
- Khan, A., Bibi, S. A., & Aziz, A. Subjectification of Women through Patriarchal Ideology in the Subcontinent: An Analysis of Manto's Khol Do.
- Mischel, W., & Morf, C. C. (2003). The self as a psycho-social dynamic processing system: A meta-perspective on a century of the self in psychology.
- NISAR, A. (2018). Koshur Pather: The Forgotten Folk Theatre. The Fountain Pen, 1(01), 56.
- Ollman, B., & Bertell, O. (1976). Alienation: Marx's conception of man in a capitalist society (Vol. 9). Cambridge University Press.
- Pickard, H. (2011). What Aristotle can teach us about personality disorder. The National Personality Disorder Website and Emergence [online].
- Roazen, P. (1968). Freud: Political and social thought. Transaction Publishers.
- Saeed, F. (2011). Forgotten Faces. Islamabad: LokVirsa.
- Saeed, F., & Wasti, M. (2011). Forgotten Faces: Daring Women of Pakistan's Folk Theatre. National Institute of Folk and Traditional Heritage
- Saeed, F., & Zaidi, S. (2010). Forgotten Faces. Journal of Gender and Social Issues, 9(2).
- Weiner, B., Perry, R. P., & Magnusson, J. (1988). An attributional analysis of reactions to stigmas. Journal of personality and social psychology, 55(5), 738.
- Weiten, W. (2007). Psychology: Themes and variations: Themes and variations. CengageLeaChung, M. C., & Hyland, M. E. (2011). History and philosophy of psychology. John Wiley &Sons.rning.
- Westlake, E. J. (2017). World Theatre: The Basics. Taylor & Francis. https://doi.org/10.4324/9781315734729
Cite this article
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APA : Aziz, A., & Khadam, I. (2021). Prominence of Social Stigmas and Hierarchies in Folk Theatre Artists' Conscience. Global Regional Review, VI(I), 182-191. https://doi.org/10.31703/grr.2021(VI-I).20
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CHICAGO : Aziz, Amna, and Iqra Khadam. 2021. "Prominence of Social Stigmas and Hierarchies in Folk Theatre Artists' Conscience." Global Regional Review, VI (I): 182-191 doi: 10.31703/grr.2021(VI-I).20
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HARVARD : AZIZ, A. & KHADAM, I. 2021. Prominence of Social Stigmas and Hierarchies in Folk Theatre Artists' Conscience. Global Regional Review, VI, 182-191.
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MHRA : Aziz, Amna, and Iqra Khadam. 2021. "Prominence of Social Stigmas and Hierarchies in Folk Theatre Artists' Conscience." Global Regional Review, VI: 182-191
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MLA : Aziz, Amna, and Iqra Khadam. "Prominence of Social Stigmas and Hierarchies in Folk Theatre Artists' Conscience." Global Regional Review, VI.I (2021): 182-191 Print.
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OXFORD : Aziz, Amna and Khadam, Iqra (2021), "Prominence of Social Stigmas and Hierarchies in Folk Theatre Artists' Conscience", Global Regional Review, VI (I), 182-191
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TURABIAN : Aziz, Amna, and Iqra Khadam. "Prominence of Social Stigmas and Hierarchies in Folk Theatre Artists' Conscience." Global Regional Review VI, no. I (2021): 182-191. https://doi.org/10.31703/grr.2021(VI-I).20